02 April 2017

installing the Fragile Planets

Yesterday my husband and I drove down to Drumheller and installed my Fragile Planets exhibition in the Western GM Drumheller Art Gallery.  I have been working on this project since July 2016.

We arrived at the gallery, unloaded my gear, took stock of the space and then got to work.  First to go up was the Meditation Wheel.

verna vogel exhibition Western GM Drumheller Gallery

I used electrical conduit to make a circle that we fastened to the lighting supports near the ceiling, then hung each string of painting + print from it.

verna vogel exhibition Western GM Drumheller Gallery

It actually went up surprisingly fast.  My studio is maybe 1/4 the size of the gallery, and it was wonderful to see my theoretical logistics work out so well in real life.  

verna vogel exhibition Western GM Drumheller Gallery

Adjusting the lighting as best I could, I was very happy with the end result.  I had envisioned the pieces to look like they are floating in space, et Voila, my vision was realized!

verna vogel exhibition Western GM Drumheller Gallery

The shadows cast on the floor were not something I had envisioned.  That was a surprise: sweet icing on the cake.

The exhibition included some of my paintings and small framed prints as well.

verna vogel exhibition Western GM Drumheller Gallery
Sound series, 20x20" each

verna vogel exhibition Western GM Drumheller Gallery
Resonance series and Other Suns series, 12x12" each

verna vogel exhibition Western GM Drumheller Gallery
Collagraph monoprints, 4x4, 5x5 and 6x6"


I was not sure how many paintings and prints to bring, but as it turned out I gauged perfectly.  The Meditation Wheel took up about 2/3 of the gallery, with my paintings and prints completing the balance beautifully.

A couple more installation shots attempting to show the work all together:

verna vogel exhibition Western GM Drumheller Gallery

verna vogel exhibition Western GM Drumheller Gallery

And a couple more shots of those sweet shadows:

verna vogel exhibition Western GM Drumheller Galleryverna vogel exhibition Western GM Drumheller Gallery

This install took about 6 hours, pretty much what I had figured on.  I think I went up and down that ladder at least 100 times!  *laughs*  While we were working, several people stopped in to have a look and made some very positive comments on the work.  It was a good beginning.

At the very end, I made a couple of real quick portraits in my sketchbook of the person who organizes and curates the gallery:

verna vogel exhibition Western GM Drumheller Galleryverna vogel exhibition Western GM Drumheller Gallery
paint marker, ink and gouache in my portrait sketchbook
130lb paper, 9x12"


The culmination of a new idea in my work which took several months to realize, combined with physical and mental exhaustion, and knowing that my exhibition achieved a really nice balance ... What an elation I felt as we drove home!

verna vogel exhibition Western GM Drumheller Gallery

Along the way we went for a little walk on the slopes above Drumheller, where my husband found a tiny, beautiful rock to add to our collection.

verna vogel exhibition Western GM Drumheller Gallery

A perfect finish to a wonderful day.


16 March 2017

JP x 2

Two portraits:

ipad portrait of Jean Pederson

one made on an ipad, the other made with ink and gouache on paper.

marker and goauche on paper, 9x12

My sitters share initials: both are JP



05 March 2017

rocks

Since last July I've been working, incrementally, on a 3D art piece.  The final bits are now coming together.

verna vogel fragile planets
verna vogel fragile planets


Last week in the studio I made rocks out of air-drying clay and then painted them.




Making the rocks was a very meditative process.  In fact, all the parts of this project have been meditative, I suppose naturally so since there is a great deal of repetition in the individual parts.  

verna vogel fragile planets

The best thing has been how my brain has been going off in various directions as I create this 3D thing.  

verna vogel fragile planets

Above: my working table.

Below: a thing made with some of the leftover bits.

verna vogel fragile planets

Looks kind of tribal, doesn't it?  I don't know what it is, but I like how it moves in the breeze when the window is open.

Next month I'll be installing the finished work in the Western GM Gallery in Drumheller.  I'm feeling excited and also a bit nervous, hoping the effect of the work will be interesting in the gallery space.

verna vogel fragile planets


23 February 2017

The Persistence of Vision

collector's gallery of art the persistence of vision

"The Persistence of Vision"...  it's the title of an upcoming exhibition that my work will be shown in.  Here's a press release about it.

"The Persistence of Vision"... it's about the persistence of human beings to be part of the connected thread of human creativity that runs under everything, regardless of the pressures of the world, and also because of those pressures.

It's also about my own life as an artist: knowing I am on the right track, knowing it from the inside out, knowing that I can find and exercise my voice if I stay the path.  I have discovered that in order to be an artist, I need a lot of sheer dogged stubborn refusal to succumb to all the noise that I myself generate simply by being in this world.  Sometimes it amazes me that I manage it at all.  

But then, look: I was invited to join a group of very diverse artists, all of whom know about persistence.  And now we are having an exhibition of our work.

video


"The Persistence of Vision"... it does pay off, sooner or later.

09 February 2017

this is my brain on art

the creative brain art school sculpture

Back when I was in art school, we were given an assignment to make "an artist's toolbox".  After some consideration, I decided there was no definitive artist's toolbox outside the artist's own mind, so I made "The Creative Brain".

It is made of coloured wires, xmas lights, a small container filled with water and an aquarium aerator.  Back then I called it The Creative Brain, and I still do... but in my growing maturity as an artist, I realize there's some heart and soul in the thing as well.

A brain hums, a heart pumps, and a soul casts light, n'est pas?

02 February 2017

papers and patterns

The art store where I work part-time has a paper sale this month.  I love decorative papers, and there are some really gorgeous new ones so of course I had to buy a few sheets yesterday.  

Paper is like fabric, to me: beautiful + tactile = irresistible!

patterns decorative papers at Inglewood Art Supplies, Calgary AB Canada

There are often pockets of time for creative pursuits at the store, so some days I bring a sketchbook and do portraits.  Yesterday I began with paper collage and then made portraits on top with paint markers.

patterns decorative paper collage with paint marker portrait drawing on top verna vogel

Above: I like the combined patterns and colours of the papers, but not sure how I like the drawing on top.  Well, I'll call that one a "study"  *laughs*

Below: The drawing is more to my liking, and integrated better with the collaged paper too.

decorative paper patterns at Inglewood Art Supplies, Calgary, AB Canada

Above: Portrait of CP which I made today.  I like this one a lot.  CP's face has a very interesting pattern.  Can you see how the shape of her eyebrows relate to the shape of her mouth and hairline, how the fall of her hair is echoed in her nose and chin shapes?

While I drew, we were talking about patterns, and how pattern recognition can help you to draw basically anything.  In order to recognize patterns, you must continually observe them in the world.  Forget what you think things look like - your mind's paradigms are just that - and observe the actual patterns before you.  It does not take long to realize that everything you see is made up of patterns; that the whole world is composed of observable and inter-connected relationships.

Pattern observation in the visual world has become a joyful exercise for me.  It makes my eyes happy, and then I am never bored no matter where I am or how long I must wait there.

decorative papers, portrait, patterns

Above: photo I took out the window of the city bus this morning.

Patterns on paper, patterns in faces, patterns on the street... they are everywhere.

29 January 2017

Body Project #2

In mid-January I had the great pleasure of teaching an art class with Grade One students who were learning about and discussing ideas of "community".  It was a Campus Calgary session, and I had three mornings with them.  

First we briefly talked about what community means, discussing concepts like Sharing, Mastery, Generosity and Belonging.  

Then we made a body project.  It was a really big project!

West Dover School body project West Dover School body project

Working with a partner, the students took turns laying on large sheets of cardboard and traced one another's body shapes with crayons.  Their teacher, parent volunteers and I cut out the body outlines.

   West Dover School body project West Dover School body project

Then the students painted one side of their body cut-out, and used collage techniques to glue coloured papers, fabrics, yarn and beads on the other side.

West Dover School body project West Dover School body project

On the last day we hung them from the ceiling, with their feet just above the floor, to create an art installation.  The body shapes could move and twirl on their strings, creating a kind of dance.  It was a whole community of colourful dancing figures!

West Dover School body project

I delight in creating large art projects with students who come out for the Campus Calgary sessions at the Arts Commons.  

Any creative process spanning several days is an opportunity for more in-depth reflection of ideas and processes.  And if you think of creativity as a problem-solving tool, well then "sleeping on it" is an important element, n'est ce pas?

West Dover School body project

Many thanks as always to the supportive people at Arts Commons, to Mrs. G, the parent volunteers, and to the kids who are invariably eager and expansive thinkers and doers.  

Working together, we create what I hope are memorable learning experiences, and that is a type of community worth being involved in.

15 January 2017

the kitchen and the studio

What happens in the kitchen is not so different from what happens in the studio. Sometimes in fact, it is pretty much exactly the same thing.



lines and shapes made with my eyes closed
lines and shapes made with my eyes closed
In the kitchen:

This morning I made a few "blind" drawings in a new 6x8" hardbound sketchbook.




It was a nice morning mediation kind of exercise, which I did while sitting at the kitchen table enjoying a cup of hot black tea.


lines and shapes made with my eyes closed

Because I haven't done these in awhile, they feel different again.  I used more colour, and spent more time working on them, than in the previous sketchbook.



lines and shapes made with my eyes closed - oil on panel

In the studio:

During the last few weeks, I've been taking the idea of the blind drawings...


lines and shapes made with my eyes closed - oil on wood panel


(which in this case means making the lines and shapes entirely with my eyes closed, and then working them up a little bit more with eyes open)

lines and shapes made with my eyes closed - oil on wood panel

...and exploring how I might translate them into paintings.

These four studies are still in progress.  Oil on wood panels, 12x16 inches each.
lines and shapes made with my eyes closed - oil on wood panel

The feeling of a brush laden with oil paint and moving over a wood panel is quite different from the feeling of a pen or marker moving over the surface of paper.






In between all this, I made a large oil painting.  It's about 72 inches wide, and I think it's finished... though it'll have to sit for a bit before I'm sure.

lines and shapes made with my eyes closed - oil on canvas, 25x62 inches

I've heard that the studies are supposed to come before the large work, but in this case they are all happening together.

It's so good to be working with oils again, in a studio that is really separate from the house.  A couple of weeks ago my husband helped to install an exhaust fan, and together with the air exchange and wearing a mask and gloves, I am confident to use the various oil mediums again without compromising my health.

One corner of the garage studio, showing a few of the "Sound" paintings and shelving with books and printmaking tools and materials.  Also the Creative Brain, my studio mascot.

And there is one corner of my still-new garage studio, showing a few of the "Sound" paintings and my bookshelf which also contains plastic storage tubs filled with printmaking tools and supplies, including the various parts of an almost-finished installation project which I've been working on for almost 7 months now.

Also on the bookshelf, lit-up, is my Creative Brain, my much-loved studio mascot.

:)


23 December 2016

the state of the studio

Yesterday I worked in the studio, mainly just prepping some grounds.  It is a low-energy time of year for me, so prepping grounds is the perfect activity: not too much energy required, just a slow repetition of colour and texture without any pressure to create "something good" because most of it will be covered up and transformed anyway.

At the end of the evening I had some leftover paint and so I touched on a couple of the small oil paintings which have been in progress for about 15 months now.

sound studio oil paintings in progress a record of a discovery

You know that thing that can happen when you're tired and you've been working all day and then, at the end, you do something almost in a dream state and it jumps over into another path of perception.  And then you love the work you did just there, not because the work itself is great (it usually isn't) but because some part of it contains a record of a discovery.

And then, exhausted, I slept and dreamt poems where it didn't matter whether or not I knew in which direction the stream was flowing.

Here in Calgary today will be 12 seconds longer than yesterday.  By December 31st the day will be just over a minute longer than today.

Happy Solstice, dear Reader!

15 December 2016

some old, some new

Less words, more images

sketchbook drawing / painting
8x10 sketch
last night at the kitchen table


portrait drawing and painting in 9x12" sketchbook
oil-based paint marker and gouache in 9x12 sketchbook
yesterday while working at the art supply store

portrait in 9x12 sketchbook
oil-based paint marker and gouache in 9x12 sketchbook
yesterday while working at the art supply store

portrait drawing and painting in 9x12" sketchbook
oil-based paint marker and gouache in 9x12 sketchbook
yesterday while working at the art supply store



Alberta Landscape #97: view

Alberta Landscape #97: palette

verna vogel landscape oil on birchwood panel 12x12 inches
Alberta Landscape #97: oil on panel, 12x12 inches
6 weeks ago, near Black Diamond AB


ink cap mushroom drawing
Ink Cap mushrooms - they really do make an "ink" you can draw with!
8 weeks ago