While thinking about my stalled studio endeavours, I made another entry into the pattern book:
And I did a bit of searching around for ways to describe what I'm aiming for in the studio. I've got this thing going on lately where I'm trying to make visual images about sound and movement, so I looked up words related to music in my old Webster's Dictionary and came across some interesting stuff.
Then I consulted the Oracle (in this case Wikipedia) to expand on some of those words. In particular I found myself liking the sound and concept of "homophony".
The sound of a word when spoken can be as important as its meaning.
In music, homophony (/həˈmɒfəni, hoʊ-, -ˈmɒfni/; Greek: ὁμόφωνος, homóphōnos, from ὁμός, homós, "same" and φωνή, phōnē, "sound, tone") is a texture in which a primary part is supported by one or more additional strands that flesh out the harmony and often provide rhythmic contrast.
Homophony: Homophonics. It's kind of an awkward-sounding word when I say it aloud, almost a tongue-twister. Which syllable to stress? I don't know. But I like the word, I like its awkwardness and I like how it describes these paintings.
Yes, I think that is what I am attempting in the studio: exploring visual Homophonics.
Tomorrow I teach a class of 26 grade-3 students how to make and print collagraphs based on their studies of Peru. Prototypes made, panniers packed for the ride & I'm basically ready to go.
Meanwhile, "homophonics" will be settling into my mind.