I would like to submit an exhibition proposal for the UAS Main Gallery space.
The project which I have in mind involves a number artists and would not be easy to show in a commercial gallery because of its experimental nature. The process has been started; no one knows exactly what the end results will be.
My own work is based on the cityscape. I am interested in visual layers and perception, painting in translucent glazes on stitched canvases to show the ever-shifting nature of the city and viewer. So far this has been limited to the cityscapes, but I have recently been thinking about how the layers of humanly built environments are inextricably entwined with the natural landscape, and how they evolve together, and thought that I would like to explore this idea in a series of works.
Our cities are built on a foundation of natural landscape, which in some cases has grown over a foundation of previous cities, built in their turn on a previous natural landscape. The layered cycle of environments built and grown - consciously constructed and naturally evolved - moves backward and forward. Perhaps all layers exist simultaneously, it just depends on the view. With this in mind I created several variations of landscape paintings on stitched canvas, in which the stitching depicts a humanly engineered environment.
In Heaven And Earth I experimented with an all-over colour field, allowing the paint layers to highlight the stitched texture. The resulting work is reminiscent of a map or aerial view of the landscape, with roads and rivers delineated by the raised, stitched lines.
Next I created All We Need, which is somewhere between colour field and more literal landscape imagery. Here again the paint layers highlight the stitched texture, with a closer to ground-level view of the landscape superimposed on a built environment.
The painterly effects of All We Need is more interesting to me than the simple tonalilty of Heaven And Earth. Although I can envision a series of paintings in either vein, my stronger inclination is towards the more literal landscape. However, my landscape painting skills are not highly developed, and ultimately my inclination to paint landscapes is limited - but I liked the idea of layering built and natural imagery, so I decided to approach other artists who are skilled at and enjoy painting landscapes, and I got a very positive response.
I selected the participants based on the artistic merit of their studio practices, and on the thoughtfulness of their ideas in every day conversations. I have asked them to create landscapes on canvases into which I have stitched city-inspired imagery using a variety of textured materials. My hope in working with other artists is to elicit a variety of visceral responses to my stitched canvas textures, while creating a body of works which might give a sense of the fluidity of time: who can say whether the city emerges from or recedes into the landscape? They are inextricably part of one another.
Each stitched canvases measures 19x19". There are 12 artists (including myself) working on this project, creating one piece each. Most are painters, but there will be some drawing and mixed media work as well. Participants are as follows:
Aaron Sidorenko - oil, encaustic, mixed media
Amy Dryer - oil, acrylic
Dale Kirschenman - oil, acrylic
Dawn Saunders-Dahl - oil, acrylic, mixed media
Darrin Hartman - acrylic and mixed media
Frances Vettergreen - oil and wax
Jill Armstrong - mixed media
John Pritchard - encaustic, oil, acrylic
Mark Holliday - encaustic
Melanie Aikenhead - oil, pastel
Shyra DeSouza - mixed media
Verna Vogel - oil, acrylic, mixed media
I would like to present the completed body of work in the UAS Main gallery, which has ample walls to hang the work with enough surrounding space for viewers to consider each piece, but not so far apart as to unduly isolate them. The variety of wall space would lend itself beautifully to this project, as some of the finished paintings could be best viewed in the intimate closeness of the hallways, with others more suited to the larger open areas.
Our timeline is to complete the project by June 2011. Therefore we would like to exhibit our works in any available time slot after the end of June.
Please find attached artist statement and CV, images and image list.
Thank you for considering this proposal,
Something In Common
stitched and stretched canvas before painting
Something In Common
oil on stitched canvas
64w x 56h x 2d
Heaven And Earth
oil on stitched canvas (triptych)
3@ 24w x 30h x 1.5d
All We Need
oil on stitched canvas
43w x 41h x 1.75d
Example of stitched, stretched canvas prepared for this project
19w x 19h x 1.75d