exhibition proposal for UAS Main Gallery

Hello,

I would like to submit an exhibition proposal for the UAS Main Gallery space.


The project which I have in mind involves a number artists and would not be easy to show in a commercial gallery because of its experimental nature. The process has been started; no one knows exactly what the end results will be.

My own work is based on the cityscape. I am interested in visual layers and perception, painting in translucent glazes on stitched canvases to show the ever-shifting nature of the city and viewer. So far this has been limited to the cityscapes, but I have recently been thinking about how the layers of humanly built environments are inextricably entwined with the natural landscape, and how they evolve together, and thought that I would like to explore this idea in a series of works.

Our cities are built on a foundation of natural landscape, which in some cases has grown over a foundation of previous cities, built in their turn on a previous natural landscape. The layered cycle of environments built and grown - consciously constructed and naturally evolved - moves backward and forward. Perhaps all layers exist simultaneously, it just depends on the view. With this in mind I created several variations of landscape paintings on stitched canvas, in which the stitching depicts a humanly engineered environment.

In Heaven And Earth I experimented with an all-over colour field, allowing the paint layers to highlight the stitched texture. The resulting work is reminiscent of a map or aerial view of the landscape, with roads and rivers delineated by the raised, stitched lines.

Next I created All We Need, which is somewhere between colour field and more literal landscape imagery. Here again the paint layers highlight the stitched texture, with a closer to ground-level view of the landscape superimposed on a built environment.

The painterly effects of All We Need is more interesting to me than the simple tonalilty of Heaven And Earth. Although I can envision a series of paintings in either vein, my stronger inclination is towards the more literal landscape. However, my landscape painting skills are not highly developed, and ultimately my inclination to paint landscapes is limited - but I liked the idea of layering built and natural imagery, so I decided to approach other artists who are skilled at and enjoy painting landscapes, and I got a very positive response.

I selected the participants based on the artistic merit of their studio practices, and on the thoughtfulness of their ideas in every day conversations. I have asked them to create landscapes on canvases into which I have stitched city-inspired imagery using a variety of textured materials. My hope in working with other artists is to elicit a variety of visceral responses to my stitched canvas textures, while creating a body of works which might give a sense of the fluidity of time: who can say whether the city emerges from or recedes into the landscape? They are inextricably part of one another.

Each stitched canvases measures 19x19". There are 12 artists (including myself) working on this project, creating one piece each. Most are painters, but there will be some drawing and mixed media work as well. Participants are as follows:

Aaron Sidorenko - oil, encaustic, mixed media
Amy Dryer - oil, acrylic
Dale Kirschenman - oil, acrylic
Dawn Saunders-Dahl - oil, acrylic, mixed media
Darrin Hartman - acrylic and mixed media
Frances Vettergreen - oil and wax
Jill Armstrong - mixed media
John Pritchard - encaustic, oil, acrylic
Mark Holliday - encaustic
Melanie Aikenhead - oil, pastel
Shyra DeSouza - mixed media
Verna Vogel - oil, acrylic, mixed media


I would like to present the completed body of work in the UAS Main gallery, which has ample walls to hang the work with enough surrounding space for viewers to consider each piece, but not so far apart as to unduly isolate them. The variety of wall space would lend itself beautifully to this project, as some of the finished paintings could be best viewed in the intimate closeness of the hallways, with others more suited to the larger open areas.

Our timeline is to complete the project by June 2011. Therefore we would like to exhibit our works in any available time slot after the end of June.

Please find attached artist statement and CV, images and image list.

Thank you for considering this proposal,

Verna Vogel


Something In Common
stitched and stretched canvas before painting

Something In Common
oil on stitched canvas
64w x 56h x 2d
2010

Heaven And Earth
oil on stitched canvas (triptych)
3@ 24w x 30h x 1.5d
2009

All We Need
oil on stitched canvas
43w x 41h x 1.75d

Example of stitched, stretched canvas prepared for this project
19w x 19h x 1.75d

here

From here:
to here:
City Lights series
acrylic on stitched canvas
12x12" each


And from here:
to here:
No Small Thing
acrylic on stitched canvas
36w x 48h

For some reason this last one has a kind of glow under the light... maybe the particular colours I used? maybe because the paint layers aren't built up quite so thick? Whatever the reason, I'm happy about it and hope it will happen again!

velocity

I calculated 46 hours in 4 days working in the studio this week, not including breaks.
!!!

And this is what I have to show for it:

City Lights, stitched

City Lights, begun painting
(the middle one is finished)




Urban Spaces #15
acrylic on stitched canvas
12x12"



Two new large ones begun:





And one large work finished.
begun 2 weeks ago:


mid-way:


finished:

Dwelling
acrylic on stitched canvas
41 x 43"

So this is interesting.
I can, with acrylic, make a painting in just a couple of weeks. The oil paintings took 5-6 months to make!

Of course the oil paint has a glow under lights that acrylic will never have, no matter what high-end brand acrylic paint colours I use. This is because light bounces off the surface of acrylic - whereas with oil the light travels through the colour, bounces off the white support, back through the paint layers and then to your eye. Which brings an incredible depth to oil colours.

This week I decided to stop lamenting the lack of glow and just go for it. So here on my computer screen the acrylic painting looks good, but in the studio when I put a spotlight on it the paint seems to go a bit dull. Light bouncing off the surface instead of traveling through...

Yes, I am a colour snob and it kills me to make a painting that doesn't have that glow. Wah! But I have to make my living, and maybe this will do.

Another thought: if I can make paintings so fast, how will my paintings change? Because they will change. Spending 6 months with a work is really intense, it's like getting to know the thing, becoming friends over the long haul.
A 3-week relationship is going to alter the spirit of the thing. Yes indeed.

But I'm on this boat now and I think I'll remain for the trip and see where we land.

Art is what we call

the thing an artist does.

It's not the medium or the oil or the price or whether it hangs on a wall or you eat it. What matters, what makes it art, is that the person who made it overcame the resistance, ignored the voice of doubt and made something worth making. Something risky. Something human.

Art is not in the eye of the beholder. It's in the soul of the artist.

- Seth Godin

zoom!

Where to begin?
Seems like a lot has been going on, most of it internal as usual, but some things external.
I got a little black book which I keep in the studio now, and write a bit in the morning before I start work. Notes on projects, ideas, etc.

Just finished writing an exhibition proposal for the stitched city/painted landscape group project I began last month. Took me 4 hours. Haven't sent it yet, might need a bit of editing. Whoo, brain work! Haven't done much of that lately. Feels good, once I get going.

Last weekend was my solo show in Vancouver. It was a lightning trip, but great nonetheless. Met with an old friend, established a higher level of trust with the gallery owner, met some new friends. Took loads of photos for reference on one of my new(ish) projects.

Some photos from the opening:



A few of my old college classmates showed up, and one of my instructors. How cool is that, I haven't seen them in 14 years!


Some of the works for the new(ish) project:

Basically just working directly from photos, creating much more literal images. These are all 12x12" so far. Acrylic. Found a way to work with the stuff - hooray! Just dilute with water and work on raw (ungessoed) canvas. Then seal with medium and varnish. Pa-da-bing, I love it.

Now I have some big ones started, not using photo references, stitching and painting in the "usual" way except using acrylic on the raw canvas. No gesso, no oil paint. We'll see if they turn out nicely.

la la la

After many days of cold cold weather the Chinook winds have blown through and it is mild and sunny. We all have more energy and smiles!


Some small paintings:
Top row made a few months ago, used oil pastel which is lovely but a pain because it never dries and then has to be sprayed.
Bottom row finished last week, no oil pastel, trying for similar effect with brush.
10x10 each



More small paintings just begun, these made with acrylic.
No stitching the canvas, but texture underneath by "drawing" with modeling paste, then gessoing.
Also 10x10 each.



A whole shwack of small paintings!
Trying out new ways of working.
Some are on canvas, some on panel. Some stitched, some not. Some oil, some acrylic.



Newly made canvas: my traditional stitching but planning to paint a little differently.



Sewing seat in the friendly sun.


Also I have been doing some portraits, here is one.
approx. 14x15"

a project

I had an idea: to stitch cities into some canvases and ask other artists to paint landscapes on them. I got a really positive response from the artists whom I asked to participate!
The project should be finished over the course of this year. Then we will find a place to show our results.

Here are the first canvases which I made last night.
All the canvases measure 19x19"




And today I gesso'd them.

There will be 11 in total.

phases

(a small reflection faraway the well deep)

New year's day and I'm painting! Sooner than expected. I think I am addicted. :)

So:
20x20" canvas not stitched. Acrylic paint.
ARGH!
Change!
Automatically I am mistrustful and critical.
haha
Determined to bash on until I get something I can live with, though.
This one took about 3 hours.
Wow! 2 hours! Compare to 5-6 months of layering oil glazes!
!!!
But. It looks like it was done quickly. Slapdash, even.
Cartoonish, lacking depth.
???
Maybe I could do some layering on it yet, maybe I could make the colour richer, improve the line quality, maybe I could, maybe maybe....!

... maybe I could not be so hard on myself.
hmmmm.

both sides now

mmmmmm, new year.

Gonna start painting again next week - the paintings have been in my head (more or less) for awhile, and now it's time for the physical permutations! Feeling excited again.

Last year was pretty stressful - buying and renovating our first house (moving twice in the process), and preparing for 2 solo shows. In between all that I've become a bit of a low-energy couch potato.

I have made one new year's resolution:
Go for a walk by the river every day, get back to myself.

mmmm-hmmm!

love, peace and happiness all around

tying up loose ends

Still a lot of unfinished city paintings in the studio. I rarely seem to have the energy to work on them these days, but gradually they are being finished.

Stories
o/sc
68wx34h


So Much Can Be Replaced
o/sc
70w x 33h

tag

In July 2010 I made a post titled "in stitches" That was the first stage of these paintings. Now they've got to here. There is something interesting going on, but they feel still incomplete. Maybe my colours need to be more refined for this colour field idea to really work...





The colours are built up with several glaze layers, the subtleties of which are not evident on a computer screen.
And there is a spot on my camera lens.

time is the key

Yesterday I went to the studio again after a few weeks off. First thing I did was photograph a few paintings that were finished some time ago, plus this one which I did very recently:

The Untitled Art Society is having a show called "Re-gifted" in which participants are asked to make an art piece out of something that has been given to them. This is mine - a framed print that was really not to our taste, painted over with acrylics and re-inserted into its frame. It looks a bit more interesting now.


Cathedral
oil on stitched canvas
29w x 57h approx.


Deluge
oil on stitched canvas
34w x 62h



Untitled
oil on stitched canvas
40w x 42h
I've posted some pics of this one in progress - now here it is completed. Photo is really too dark, but you get the idea.

plein air

Went out to a friend's cabin last weekend. The surrounding countryside looks mainly like this:





I brought along a sketching kit to try some plein air painting.... as you can see my colours do not do the landscape justice. But I sure had fun!

mmmmm?

Just working away

maybe this one is finished


before & after: added a bit of violet, it's quite subtle


on my way home one night

a little 10x10 landscape, seemingly out of nowhere