L.Anne is an artist whom I have never met in person, yet here are two portraits of her:
31 January 2012
skype!
Made using skype live video feed. This is very interesting!
L.Anne is an artist whom I have never met in person, yet here are two portraits of her:
And Darrell is someone who lives half a world away, whom I haven't seen in 20+ years, yet here he is:
Strange and wonderful world we live in.
L.Anne is an artist whom I have never met in person, yet here are two portraits of her:
25 January 2012
I got it goin' on
16 January 2012
15 January 2012
different wavelengths
A painting finished a few weeks ago. This was done by painting acrylic washes into the raw canvas and gradually working up the layers:
Levels
acrylic and drawing media on stitched canvas
34w x 32h
New one stitched. Going to gesso this one and try acrylic glazes.
Until now I've been using acrylics on raw canvas and liking the staining effects, but sometimes the colour is not as intense as I'd like. The gesso ground should help intensify the colour, and hopefully I can get the glazes to look good.
I've been practicing acrylic glazing over gesso with these little 12x12 stitched canvases:
Terrible lighting here! But anyway I've been playing around with colours and various brushing and wiping methods, and I'm really liking some of the results.
Another new one stitched, not stretched yet. The plan here is to work up a lovely subtle sky and intensify the lower coloured part, leaving the middle bit raw and unpainted. We'll see how that goes!
Levels
acrylic and drawing media on stitched canvas
34w x 32h
New one stitched. Going to gesso this one and try acrylic glazes.
Until now I've been using acrylics on raw canvas and liking the staining effects, but sometimes the colour is not as intense as I'd like. The gesso ground should help intensify the colour, and hopefully I can get the glazes to look good.
I've been practicing acrylic glazing over gesso with these little 12x12 stitched canvases:
Terrible lighting here! But anyway I've been playing around with colours and various brushing and wiping methods, and I'm really liking some of the results.
Another new one stitched, not stretched yet. The plan here is to work up a lovely subtle sky and intensify the lower coloured part, leaving the middle bit raw and unpainted. We'll see how that goes!
10 January 2012
end of an era
The downtown studio is FINALLY completely empty and clean and whitewashed and ready to sublet!!
And since I am a nostalgic person, and since the light was just gorgeous, I took the last photos I am likely to take in this space...
portrait of the artist as a rock star... sort of
did I leave any imprint here?
The last studio task: wrapping 5 paintings for shipping. And with that, I am truly gone.
Ah, nostalgia, I love it.
And since I am a nostalgic person, and since the light was just gorgeous, I took the last photos I am likely to take in this space...
portrait of the artist as a rock star... sort of
did I leave any imprint here?
The last studio task: wrapping 5 paintings for shipping. And with that, I am truly gone.
Ah, nostalgia, I love it.
03 January 2012
sub-zero plein air
So I thought oil paint was basically useable in any temperature, but no:
Titanium White becomes very stiff and sticky (a bit like half-set epoxy), although other colours appear unaffected in -4C
My oil/solvent mixture takes on a viscosity similar to raw egg white, but returns to normal when back in the studio.
Frozen brushes begin to fall apart, losing many bristles when used to forcibly brush out epoxy-like white paint!
Returning home after this paintings session, I spent half an hour with a pair of tweezers, picking all the little hairs off my painting, haha.
3pm - ready to begin
3.45pm - light shifting fast
this is more-or-less what I was seeing
and this is what my hand and eye made of it - quite dissimilar in colour.
near the end, getting cold but still smiling!
Titanium White becomes very stiff and sticky (a bit like half-set epoxy), although other colours appear unaffected in -4C
My oil/solvent mixture takes on a viscosity similar to raw egg white, but returns to normal when back in the studio.
Frozen brushes begin to fall apart, losing many bristles when used to forcibly brush out epoxy-like white paint!
Returning home after this paintings session, I spent half an hour with a pair of tweezers, picking all the little hairs off my painting, haha.
3pm - ready to begin
3.45pm - light shifting fast
this is more-or-less what I was seeing
and this is what my hand and eye made of it - quite dissimilar in colour.
near the end, getting cold but still smiling!
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